Posted: February 4th, 2023
Analysis Paper: Stories and Narratives Photography is more complicated than click and shoot. It is about telling a story. Even simple portraits can tell complex narratives. These photographs convey ideas/concepts/paradigms. Sometimes it is capturing a specific moment while many times, it is staging a set or multiple set, or editing multiple images through darkroom or post production manipulation. Please browse through these articles and ted talk for a better understanding of visual storytelling.
https://contrastly.com/storytelling/ https://www.magnumphotos.com/theory-and-practice/telling-stories-single-image-series/ https://www.nationalgeographic.com/travel/intelligent-travel/2013/05/03/do-your-pictures-tell-a-story/ https://streetbounty.com/art-storytelling-photography/ https://www.david-campbell.org/2010/11/18/photography-and-narrative/ https://www.keptlight.com/narrative-and-meaning-in-photography/ https://www.ted.com/talks/david_griffin_on_how_photography_connects
Please write an analysis paper (minimum 1000 words not counting references and images). Choose one photographer from list #4, and one from the 3 artist reports you completed previously. Your job is to compare them in terms of techniques, aesthetics (styles/looks), and storytelling. Please make sure you include a bit of their individual background, and at least one example of each of their work. Make sure you point out the similarities/differences in the examples you provided.
If you remember to include the following, it is very easy to come up with the 1000 words… 1. The photographer’s training? What movement/artist/event influenced your artist? 2. The advance or non-existence of technology during her/his time. 3. Describe the photographs/images in a formal way:
A. Looking for visual elements: shape, size, texture, line, value, and space. B. Looking at visual components: focus, light, repetition, vantage point/angle, balance,
foreground/midground/background space, contour, contrast, setting, framing/placement. C. Looking at the photographer’s decisions about the composition (the arrangement of the
visual elements and components) of the photograph. 4. Describe the photograph/image within the context of content.
A. Look for symbols in shapes, objects, color… B. Look for cultural significance, relationship. C. Look for hidden meanings (if applicable), social or personal commentary/statement. D. The historical/social context of the photograph. E. The content (image and meaning) of the photograph, and the artist’s intention.
5. Connect your choice of photographers and images to your understanding of photography history, current world events, social context, personal taste, etc.
All your Artist Report Exercises and Photograph Analysis Exercises lead up to this paper. Please write in your own words. DO NOT PLAEGERIZE. All your exercises were shaped to prevent plagiarizing. If you are caught, it is an F for the course. No excuses.
PAPER REQUIREMENTS: 1) Minimum 1000 words (not counting references and images). 2) Font: Times New Roman, size 12, double space. 3) Style: APA or MLA 4) Copy and paste the images onto your paper.
Notable photographers: 1980 to present | |
Almas, Erik | |
Araki, Nobuyoshi | |
Balog, James | |
Bar-Am, Micha | |
Barbieri, Olivo | |
Clang, John | |
Clark, Larry | |
Consentino, Manuel | |
Crewdson, Gregory | |
Day, Corinne | |
Effendi, Rena | |
Flores, Ricky | |
Fontana, Franco | |
Galella, Ron | |
Geddes, Anne | |
Ghirri, Luigi | |
Goldberger, Sacha | |
Goldblatt, David | |
Goldin, Nan | |
Goldsworthy, Andy | |
Grannan, Katy | |
Gursky, Andreas | |
Herbert, Gerald | |
Higgins Jr., Chester | |
Hockney, David | |
Johansson, Erik | |
Johnson, Kremer | |
Jones, Charles | |
JR | |
Kander, Nadav | |
Kawauchi, Rinko | |
Kepule, Katrina | |
Kruger, Barbara | |
Kwon, Sue | |
Lanting Frans | |
Lassry, Elad | |
Lemoigne, Jean-Yves | |
Leone, Lisa | |
Luce, Kirsten | |
Manzano, Javier | |
Mapplethorpe, Robert | |
McGinley, Ryan | |
Modu, Chi | |
Mull, Carter | |
Neshat, Shirin | |
Nick Knight | |
Nilsson, Lennart | |
Opie, Catherine | |
Pao, Basil | |
Peters, Jennifer (and Michael Taylor) | |
Pirila, Marja | |
Pusiri, Charit | |
Ransom & Mitchell | |
Ritts, Herb | |
Ruef, Didier | |
Salinger, Adrienne | |
Schorr, Collier | |
Sherman, Cindy | |
Swarup, Manish | |
Tadder, Tim | |
Tavakolian, Newsha | |
Taylor, Michael (and Jennifer Peters) | |
Tillmans, Wolfgang | |
Travezan, Jaime | |
Wade, David Lindsey | |
Wall, Jeff | |
Weems, Carrie Mae | |
Westra, Ans |
SOLUTION
Visualization in photography refers to the mental process of imagining the final image before taking a photograph. It involves considering factors such as composition, lighting, and subject placement to create a desired effect. Visualization requires a photographer to think critically about the scene they are about to capture and how they want to present it. Good visualization skills help photographers to pre-visualize the final image and make decisions that result in a more effective and impactful photograph.
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